Rabu, 12 September 2012

Nieman Journalism Lab

Nieman Journalism Lab


Geneva Overholser: Keeping journalism, and journalism school, connected to the public

Posted: 11 Sep 2012 07:31 AM PDT

Editor’s Note: It’s the start of the school year, which means students are returning to journalism programs around the country. As the media industry continues to evolve, how well is new talent being trained, and how well are schools preparing them for the real world?

We asked an array of people — hiring editors, recent graduates, professors, technologists, deans — to evaluate the job j-schools are doing and to offer ideas for how they might improve. Over the coming days, we’ll be sharing their thoughts with you. Here Geneva Overholser, director of USC Annenberg’s School of Journalism, argues that journalism education must ramp up its engagement with the outside world.

Just after I became director of the USC Annenberg School of Journalism, in a brief speech to the university’s trustees, I mentioned four goals for the school:

  • In the midst of change, we must be ever more devoted to the basics: critical thinking, good writing, the fundamental ethics of journalism, the history and law of our craft.
  • We must get better, fast, at multimedia storytelling, including improved digital skills. We must envision and embrace new ways of getting information in the public interest to audiences wherever they are, on whatever platforms.
  • We must focus on the inclusion of all voices. Americans want to participate in the collection of information. No more lectures. It’s seminars now. And all communities in this fast-changing country need to be given voice — and given trustworthy information.
  • We must infuse the school with a sense of entrepreneurship. Long gone are the days when we could do a story and toss it over the wall, letting other people worry about assembling an audience and paying for our work. If journalism is to thrive, its best minds must be applied to sustaining it.

All valid enough today, I’d say — but I would add one preeminent, overarching goal: Never forget that journalism is all about the public. We can easily focus on the new technologies, the new social media tools, and the new possibilities for financial support. Yet the far more interesting and promising change is the new way of working with the public to make journalism better than it has ever been — more inclusive, more democratic, and more focused on fostering civic engagement. We may have come to understand that journalism is a civic good, but if that notion is to take hold broadly, journalism must do a better job of showing that it’s true.

Journalism schools can lead this effort. We must send our students into our communities (especially underserved communities) to do journalism that makes a difference. I’d offer Intersections South LA and Two Blocks Around The Park as examples of our work in this regard. We must ensure that they do work of substantial value at home and abroad.

We can also lead by example, in partnerships that show the increasingly important role of collaboration, and help build capacity in news organizations. As legacy media are hollowed out by economic pressures, we need institutions that share some of the characteristics that have made them so essential: substantial resources, good-sized staffs, standing in the community, and access to those in power. Who better fits that profile than journalism schools?

Our role as research institutions, too, is key to journalism’s future. We can support research that strengthens and informs those who are making change and apply our scholarship to the practice ourselves. We can be test beds for best practices and test labs for new technologies. We can bring students from different disciplines together to experiment — say, with mobile projects for nonprofits or mobile apps for news organizations.

Finally, we must change our notion of how, when, where, and with whom we do our work as journalism educators. We’re going to have to do much more customizing. That means straying from our longtime patterns and reaching new people. Think news literacy for non-majors. Refresher courses that give a certificate in web analytics or digital storytelling for professionals who want to retool. Mentoring budding journalists in high schools that have lost their school newspaper. Working with community contributors to strengthen their work in local websites. Or, working in collaboration with the education school to offer refresher courses for journalism teachers looking to keep their credits up.

Just as journalism now understands change as its new reality and embraces flexibility, transparency, collaboration, and entrepreneurial thinking, so must the journalism academy. We should become lively centers of campus — and of community — life. Our students will only benefit from this vibrancy. And our institutions will as well.

If all of this sounds familiar to us news types — disaggregation, people formerly known as the audience now in the game, a continually iffy financial model — well, I’d say that’s an important realization in the world of education. The academy seems well en route toward being among the next to “benefit” from disruptive innovation.

We’ve seen this before. We know the lessons. We journalism schools should be leading the charge — and leading the change — at colleges and universities across the country.

Image by Anna Berthold used under a Creative Commons license.

How a 19-year-old student became one of the hottest political photographers in the country

Posted: 11 Sep 2012 06:53 AM PDT

If you've spent much time scouring the Internet for news about the Republican presidential campaign, you've probably run across the work of Gage Skidmore.

Skidmore's high-quality photographs of Mitt Romney, Paul Ryan, Ron Paul, Rick Santorum, and their compadres have appeared on hundreds if not thousands of sites, including those of The Atlantic, The World, Tech President, and MSNBC.

It's not just the quality of his work that has made Skidmore so popular. It's that he posts all of his photos to Flickr under a Creative Commons license, making them available free of charge as long as he's credited. The license he chose even allows for commercial use, although he has sometimes been paid for the use of his photos. I discovered him when searching for free photos for my own blog, Media Nation, and have used his pictures on a number of occasions.

As it turns out, Skidmore is a 19-year-old student at Glendale Community College in Phoenix and a freelance graphic designer. A Ron Paul supporter, he began photographing politicians when he was living in Terre Haute, Indiana, attending events held by Rand Paul during his successful 2010 Senate run in Kentucky. Skidmore also showed up at stops on the presidential campaign trail in order to see Ron Paul and took photos of other prominent Republicans while he was there.

Skidmore doesn't know how many times his photos have been used. Some version of a Gage Skidmore photo credit appears over 1 million times online, and looking up his name on Google Blogsearch yields about 40,000 results. That makes him the political equivalent of David Shankbone, the nom de photo of a Wall Street lawyer whose free celebrity photos have appeared in venues such as The New Yorker and Vanity Fair. Skidmore told me his Flickr account has been viewed nearly 1.2 million times.

(He also photographs comic-book conventions, and has attended Comic-Con the past six years.)

Skidmore is a paradigmatic example of the pro-am media ecosystem fostered by the Internet — a professional-level photographer without the means or the interest to become part of the traditional journalistic system, but who is nevertheless making a name for himself through the quality and quantity of his work.

I interviewed him by email last week, and have lightly edited our conversation.

Kennedy: How did you get started shooting politicians?
Skidmore: I first began photographing then-Senate candidate Rand Paul in Kentucky when I still lived in Indiana. I followed him to various events throughout the state over the course of a year and attended close to 40 events. I had become interested in his campaign very early on due to my support for his father in his presidential campaign in 2008.

I have only photographed a majority of the presidential candidates because Ron Paul was attending the conference that I was attending, whether it be CPAC [the Conservative Political Action Conference] or the Values Voters Summit. And it really helped to have photographed them before the presidential race began. For example, at CPAC in February 2011, Rick Santorum, Michele Bachmann, Rick Perry, and the like were still mostly unknown, and thus there was a lack of very many free-to-use photos.

Kennedy: Your work has been a real boon to bloggers. Why did you decide to take the Creative Commons route rather than focus on selling your work?
Skidmore: My interest has always been to see my photos used as widely as possible. If someone wants to pay me to use my work, that is really only a bonus. But I find that attribution is sometimes more rewarding in getting your name out there among the crowd, which will continue to use your photos.
Kennedy: Have you given any thought to the effect of unpaid photographers like you on the market for professional photojournalists? Is it all right with you if you may be hastening their demise, or do you think society may be losing something?
Skidmore: I don’t really think I’ve had an effect on professional photojournalists, as I still see their photos widely used by many of the mainstream publishers. A lot of the sites that do use my photos would probably find another source of free photos regardless, so it might as well be me.
Kennedy: Do you charge for some of your work?
Skidmore: I usually only charge for my work if it is going to used in a for-profit publication. I’ve been paid in the past by publications like Reason magazine, which have found use for some of my libertarian-related photography. I also got paid for a photo that appears in Senator Rand Paul's book, The Tea Party Goes to Washington.

Kennedy: A lot of bloggers, including me, are probably at odds with you politically. Does it bother you that people may be using your work for free in order to criticize political figures you admire?
Skidmore: I don’t agree politically with hardly anyone that I photograph. My only allegiance is to Congressman Ron Paul and a few other liberty-minded politicians, whom I admire greatly. I don’t mind that my photos are used by some not-so-nice publications. The only thing I really care about is whether or not I was attributed.
Kennedy: What are your photography plans for the remainder of the 2012 presidential campaign? Have you started thinking about 2016?
Skidmore: The only plans I have currently is a trip to attend the 2012 Liberty Political Action Conference, organized by the Campaign for Liberty. If Mitt Romney or Barack Obama visit Arizona, I’ll probably make an attempt to photograph them as well.

My focus has never really been to cover the presidential race, but really only what I would enjoy seeing photos of, and enjoy attending events to take the photos, and what was convenient for me to attend.

Dan Kennedy is an assistant professor of journalism at Northeastern University and a panelist on Beat the Press, a weekly media program on WGBH-TV Boston. His blog, Media Nation, is online at www.dankennedy.net. His book on the New Haven Independent and other community news sites, The Wired City, will be published by the University of Massachusetts Press in 2013.

Photos (Cheney, Romney, Paul, Santorum) by Gage Skidmore used under a Creative Commons license.