Jumat, 17 Agustus 2012

Nieman Journalism Lab

Nieman Journalism Lab


Come have a drink with Nieman Lab Monday

Posted: 16 Aug 2012 02:57 PM PDT

Astronomically speaking, there’s still more than a month left of summer. But especially for those of us who work at, attend, or send kids to schools, summer’s bound at least as much by academic calendars as the tilt of Earth’s axis. That means time is short, and that means that it’s time to raise a glass to the future of journalism while it’s still nice out.

So I’m happy to report the return, after some months’ hiatus, of the Nieman Lab happy hour. For our Boston/Cambridge-area readers, it’s a chance to have a beer or two and hang out with us Nieman Labbers, some ink-stained wretches, a few journonerds aspirant and existent, ramen-fueled grad students, the faces behind a few public radio voices, freelancers, bloggers, thinkers, doers, beard-strokers, Action Jacksons, and maybe even a few Nieman Fellows. Be there or see your Googlejuice slowly, inexorably dissipate.

This is happening Monday, August 20, starting around 6 p.m. As before, we’ll be gathering at The Field in Central Square. It’s maybe 20 steps from the Central Square Red Line T stop, so if you can get on a subway in Boston, you’re all set. Here’s a map.

The Field has a nice open-air patio in the back — if there’s room, we might be back there. If not, look for reporter’s notebooks. No agenda, just conversation.

I will personally buy a beer for the first 10 people to find me and repeat the nonsense phrase “Jürgen Habermas” three times.

Plaza Pública aims to challenge and improve Guatemala’s journalistic culture

Posted: 16 Aug 2012 09:00 AM PDT

It’s not uncommon for news sites in the United States to evolve into a series of verticals: technology, politics, celebrity news, sports, and the like.

In Guatemala, Plaza Pública is also built around a series of verticals. But here, they’re equity, environment, social cohesion, cultural diversity, and corruption.

“We audit the private sector as part of our mandate,” site director Martín Rodríguez-Pellecer told me. “Traditional media does not cover these issues because they’re afraid companies would remove ads.”

Plaza Pública stands out for a few other reasons. It’s a digital native, but reluctant to set its pace against the 24-hour news cycle. It’s mainly funded by a private university, but it’s seeking a national audience.

The site’s name and concept were inspired by Jürgen Habermas’ idea of the public sphere, where private citizens come together to discuss matters of public relevance. Plaza Pública, which translates to “Public Square” in English, wants to be the place where such conversations not only take place (it has 80 blogs) but where they’re provoked by news stories.

In January, for example, it published an investigation that revealed minors were working on sugar plantations owned by the Guatemalan president’s Chamber of Agriculture. “In Guatemala, as in many other countries in Latin America, media orgs restrain the ‘public interest’ to public officials and public institutions, when it really goes beyond them,” Rodríguez-Pellecer said. “It also includes the links between businessmen and policy-makers, the media-politicians relations and controversial social issues.”

Rodríguez-Pellecer says traditional media have ignored those dynamics. So when it comes to political coverage, Plaza Pública doesn’t just report how an elected official votes. The site also features data visualizations meant to help identify voting patterns between leaders, parties, and around certain topics.

Investigative data journalism is a big part of what Plaza Pública does, though its editors prefer to call it in-depth precision journalism. There’s a reason for that distinction: “During the past 20 years, any sensationalism is considered ‘investigative reporting.’ We try to do a less incendiary journalism,” Rodríguez-Pellecer said.

His team is a group of 15 reporters, coders, designers, and photojournalists. “We all have been in traditional media, but we got tired of not being able to do the journalism that we wanted,” said Rodríguez-Pellecer, who worked seven years as a reporter for Prensa Libre, Guatemala’s most influential newspaper. The newsroom also gets help from 10 students from different universities and in disciplines ranging from archeology to political science and journalism.

Two-thirds of Plaza Pública’s $300,000 annual budget comes from Universidad Rafael Landívar, a private university administered by the Society of Jesus, the Christian religious order. The funding model raises questions about editorial independence: How can a news organization promise autonomy when its main funder is an institution with very clear stances about so many controversial topics?

“Since we started, we [have made it] clear that we were not going to report on the university, the Pope, or the Society of Jesus,” Rodríguez-Pellecer said. “That doesn’t mean that we’re not critics of some of the bishops’ points of views on topics like sexuality and gay rights, for example.” In turn, the university does not get involved in the editorial process: “We pick the topics we cover,” he said. But the institution does have the editorial board’s ear. “Always, those differences are discussed after the publication, not before. We appreciate very much the independence they gave us.”

Plaza Pública, which has 65,000 monthly visitors, in part borrows its model from projects like News21 at Arizona State University, and The Bureau of Investigative Journalism at City University London, on-campus newsrooms with access to university resources.

Like News21 and TBIJ, Plaza Pública is a nonprofit. It cannot sell ads because of universities’ tax-exempt status in Guatemala, but the goal is to eventually — at least three years from now — operate within a legal framework that would allow the sale of ads and maybe even data. “We also want to sell services related with the databases we’re building,” he said. Rodríguez-Pellecer says it’s almost impossible for a digital news outlet in Latin America to rely solely on ad revenue. Even successful ventures like El Faro in El Salvador and La Silla Vacía in Colombia have had to diversify their revenue streams. Plaza Pública has ruled out a paywall, but it’s actively thinking about ways to add more revenue channels. (It also receives grant money from groups like Open Society Foundations and Friederich Ebert Stiftung.)

“We think citizens should contribute voluntarily, too, if they want to get journalism that is on the people’s interests side,” Rodríguez-Pellecer said.

Photo of the Palace of the Captains-General in Antigua, Guatemala, by Ray Metzen used under a Creative Commons license.

Plaza Pública aspira a cambiar y a mejorar el periodismo en Guatemala

Posted: 16 Aug 2012 08:55 AM PDT

Es usual que los sitios de noticias en Estados Unidos se conviertan en una serie de “verticales” de temas como tecnología, política, espectáculos, deportes y similares.

Algo parecido ocurre en Guatemala, pero en Plaza Pública esos temas son más inusuales: equidad, medio ambiente, cohesión social, diversidad intercultural y combate a la corrupción.

“Son temas que no estaban en la agenda noticiosa porque los medios tradicionales tenían miedo de que los empresarios retiraran la pauta publicitaria”, me dijo Martín Rodríguez Pellecer, el director del sitio. “Parte de nuestro mandato es fiscalizar al sector privado”.

Plaza Pública sobresale por otras razones más. Es un medio digital que se resiste a operar a ritmo del maníaco ciclo noticioso de  24 horas y, además, se financia mayoritariamente con fondos de una universidad privada, pero busca una audiencia nacional.

El nombre y el concepto del sitio se inspiraron en Jürgen Habermas y su idea de esfera pública, ese espacio donde los ciudadanos se reúnen para discutir temas de relevancia pública. Plaza Pública quiere ser el lugar donde no sólo ocurran esas discusiones (el sitio tiene 80 blogs) sino también donde sean provocadas por las noticias que producen.

En enero, por ejemplo, el sitio publicó una investigación que denunció la contratación de menores de edad en fincas azucareras propiedad del presidente de la influyente Cámara del Agro. “En Guatemala, como en muchos otros países de América Latina, las organizaciones periodísticas  restringían el ámbito de lo público a los ministros y diputados, cuando el interés público va mucho más allá”, aseveró Rodríguez Pellecer. “También incluye las relaciones entre los empresarios y las políticas públicas, los medios de comunicación y los políticos, y los temas sociales incómodos”.

Rodríguez Pellecer asegura que los medios tradicionales han ignorado esos vínculos y la dinámica de esas relaciones. Así que cuando se trata de cobertura política, Plaza Pública no se limita a informar sobre cómo un congresista vota. El sitio también produce visualizaciones de datos con el propósito de ayudar a identificar patrones de votación entre líderes, partidos y cierto temas.

El periodismo de datos representa una parte importante de lo que Plaza Pública hace, aunque sus editores prefieren llamarlo “periodismo de profundidad”. Ellos tienen una razón para marcar esa distinción: “En los últimos 20 años en Guatemala, la palabra ‘investigativo’ se ha prostituido un poco y cualquier sensacionalismo se considera periodismo investigativo. Nosotros tratamos de hacer un periodismo más sosegado”, explicó Rodríguez Pellecer.

Su equipo está conformado por 15 periodistas, programadores, diseñadores y fotoreporteros. “Todos hemos trabajado en medios tradicionales, pero nos cansamos de no poder hacer el periodismo que queríamos”, me contó el editor, quien trabajó siete años como reportero para Prensa Libre, el periódico conservador más influyente de Guatemala. La sala de redacción de Plaza Pública también recibe ayuda de 10 estudiantes de diferentes universidades y en disciplinas que incluyen desde Arqueología hasta Ciencias Políticas y Periodismo.

Dos terceras partes de los $300.000 de presupuesto anual de Plaza Pública provienen de la Universidad Rafael Landívar, un centro de estudios privado administrado por la “Compañía de Jesús”, una orden religiosa perteneciente a la Iglesia Católica. Ese modelo de financiamiento plantea dudas sobre la independencia editorial del sitio: ¿Cómo una organización noticiosa promete autonomía cuando su principal financista es una institución con posiciones muy claras en temas muy polémicos?

“Desde el principio tenemos claro que no vamos a fiscalizar ni a la Universidad ni a la ‘Compañía de Jesús’ ni al Papa”, aclaró Rodríguez Pellecer. “Eso no implica que no seamos críticos de posiciones  de la Conferencia Episcopal sobre temas de sexo, que hagamos temas sobre los derechos de la unidad gay, por ejemplo”.  A cambio, la universidad no se involucra en el proceso editorial: “Nosotros escogemos los temas que cubrimos”, dice el editor. Sin embargo, la institución sí tiene un espacio en el Consejo Editorial. “Cuando hay diferencias de criterio, siempre se discuten a posteriori no antes de que se publique un artículo. Apreciamos mucho la libertad editorial que nos dan”.

Plaza Pública, que registra 65.000 visitas mensuales, se modeló a partir de proyectos como  News21 en Arizona State University, y The Bureau of Investigative Journalism en City University London, salas de redacción basadas en campus universitarios y con acceso a recursos de esos centros educativos.

Como News21 y TBIJ, Plaza Pública es una organización sin fines de lucro. Debido a que en Guatemala las universidades están exentas de pagar impuestos, el sitio no puede vender publicidad pero la meta es eventualmente -al menos dentro de tres años- operar dentro de un marco legal que les permita vender anuncios y hasta datos. “También queremos vender servicios relacionados con las bases de datos que estamos construyendo”, me contó Martín.

El reto es grande. Rodríguez Pellecer reconoce que es casi imposible para un sitio web de noticias operar sólo con el dinero que ingresa por publicidad. Incluso proyectos exitosos como El Faro en El Salvador y La Silla Vacía en Colombia han tratado de diversificar sus fuentes de ingreso. Plaza Pública ya descartó cobrar por el contenido, pero está evaluando otras formas de abrir nuevos canales de financiamiento. (También recibe donaciones de grupos como Open Society Foundations y la fundación Friederich Ebert Stiftung).

“Creemos que los ciudadanos también deberían aportar de manera voluntaria si quieren disfrutar de un periodismo que vele por sus intereses”, concluyó Rodríguez Pellecer.

Fotografía del Palacio de los Capitanes Generales en Antigua, Guatemala, por Ray Metzen utilizada bajo una licencia Creative Commons.

The newsonomics of breakthrough digital TV, from Aereo to Dyle and MundoFox to Google Fiber

Posted: 15 Aug 2012 01:28 PM PDT

In 1998, when Rupert Murdoch’s News Corp. bought the Los Angeles Dodgers, the storied franchise was worth $380 million. News Corp. sold the team in 2003 for $430 million. After winning the ability to negotiate a new multi-billion sports TV contract this fall, they sold earlier this year for $2 billion, blowing the lid off sports property values.

In 1994, the San Diego Padres were worth $80 million. After recently signing a 20-year deal with Fox Sports for $1.2 billion, they sold (pending league approval) for $800 million.

Meanwhile, in 2000, the Los Angeles Times was worth at least $1.5 billion when it was sold as part of Times Mirror to Tribune Company. Today, as it is newly readied for market out of the Tribune bankruptcy, it would go for something less than $250 million. The San Diego Union-Tribune, once valued near a billion dollars, sold for about $35 million in 2009 and about $110 million in 2011.

It’s a reversal of fortune: Newspaper franchises that once outvalued baseball teams by 3-1 or 5-1 or 10-1 now see the inverse of that ratio. Why?

Two letters: TV.

Those numbers tell us a lot about the continuing power of television, in worth, in value creation, and in the news business itself. If we look just at recent events in the ongoing transformation of broadcast and cable to digital, we now see multiple breakthroughs on their path to digital. They give us indications of what the news business, video and text, will look like in the coming years. While we can argue endlessly about the relative virtues and vices of print and TV news, we must acknowledge the relative ascendance of TV and think about what that means for the news business overall.

TV’s revenues are holding up far better than newspaper companies’, and TV is better positioned to survive the great digital disruption.

TV has continued to have great audience. Nearly three in four Americans tune in to local TV news at least weekly, surpassing newspaper penetration, even as Pew Research points out they mainly do it for three topics: breaking news, weather, and traffic. Further, it retains great ad strength — 42 percent of national ad spending, matching the actual number of minutes Americans spend with the medium and making it the only medium still ahead of digital spending as digital has surpassed print (newspapers + magazines this year, both in the U.S. and globally). Yes, TV remains a gorilla. While Netflix won headlines when it announced it had streamed one billion hours of TV and movies in a single month, that huge number compared to about 43 billion hours of U.S. TV consumption, according to Nielsen’s 4Q 2011 Cross-Platform report.

In a nutshell, that’s the difference between TV and video, circa 2012. Video is the next wave — incorporating TV perhaps, but still the very young kid on the block.

Today, TV is no longer a box. Sure, even with all the Rokus, Boxees, and Apple TVs, it seems like TV isn’t yet an out-of-the-box experience. But with Hulu, Netflix, and Comcast’s Xfinity, it’s emerging quickly, escaping our fixed idea of what it once was — the boob tube in the living room. If it’s not just a box anymore, it’s a platform. From that platform, we see both the disruptors and the incumbents doubling down their bets. As in most things digital, few of these launches will be huge winners — but some will drive big breakthroughs. Some of the iconic legacy companies we’ve long known will be absorbed in the woodwork as new brands supplant them. Consider the spate of recent innovation, as we quickly assess the newsonomics going forward:

  • NBC, bashed up and down Twitter, nonetheless proved out a new business model with its multi-platform approach to Olympics coverage. Whatever you think of the tape delays or the suspended reality of Bob Costas’ gaze, NBC made the economics work, surprising itself and others. Its live streaming has ratified the development of cable- and satellite-authenticated, all-access digital delivery. That reinforces cable/satellite value. Further, it whetted prime-time viewing appetites, boosting ratings and earning NBC more ad revenue than it had projected. That’s icing on the cake for NBC, which, under Comcast ownership, has rocketed forward in digital strategy. The network has made a number of moves to transform itself into a global, video-forward, digital news company, joining the Digital Dozen global news pack. Recently, it bought out Microsoft’s share of msnbc.com, a leading Internet news portal. It immediately rechristened it NBCNews.com. In short order, it appointed Patricia Fili-Krushel as the new head of NBCUniversal News Group, an entity made up of NBC News, CNBC, MSNBC, and the Weather Channel. A former president of ABC, with 10 years of experience at Time Warner, she heads a growing news operation. Earlier this year, NBC combined its sports properties into a unified NBC Sports Group, merging NBC’s broadcast sports unit and Comcast’s regional sports networks. NBC is growing out of its digital adolescence. (See “One year after she was hired, Vivian Schiller’s ‘wild ride’ at NBC is just beginning.”)
  • Aereo, the TV startup funded by media magnate Barry Diller, is expanding its footprint from its current New York City base, and starting to offer multiple promotional deals. Diller’s in-your-face challenge to over-the-air broadcasters (CBS, NBC, Fox, ABC, CW, PBS) takes their signals and delivers that programming via the Internet. It charges consumers $12 a month, or as little as a dollar a day. They can then watch those TV stations on up to five devices; in addition, they can deliver these signals to a TV via Apple TV or Roku. Aereo also offers DVR capability, with 40 hours of storage. It’s classic disruption, with Aereo upping the pressure on the cable bundle and messing with the “retrans” fees that broadcasters get from cable companies to run their programming. Is it really legal, as a court recently found? It may be as legal as Google presenting snippets from every publisher and directory provider.
  • Local broadcasters — representing a broad swath of ownership groups organized in a newer company called Pearl — are bringing local TV to our mobile devices themselves. Just a week ago, Metro PCS started selling a Samsung Galaxy S phone with a TV receiver chip in 12 markets. That’s just the first push of Mobile Content Ventures, a collection of Pearl, NBC, Fox, and others. Expect mobile TV, marketed as Dyle, to be available for other phones and tablets, either with built-in chips or after-market accessories — although price points are an issue, with $100-plus premiums likely over the next year. So what does this innovation mean? Simply, that broadcasters are going direct to mobile consumers — no Internet needed, no data charges applying, and maybe providing more consistent video connectivity — with live programming; whatever is on TV at that moment is also on your phone or tablet. Broadcasters just use part of their digital signal to, uh, broadcast to us on our phones. It’s that antenna, and its cost, that’s the issue. Business questions abound. Given the timing of the launch, Dyle seems like an aspiring Aereo killer, and certainly broadcasters would like to see it do that, if further court action doesn’t. More deeply, though, broadcasters want to maintain their direct-to-consumer brand identity as they do a balancing act and try to keep those retrans fees from cable and satellite companies. They don’t want to be left out of the digital party.
  • Social TV pulls up a chair. First it was startup Second Screen, matching tablet ads to real-time TV viewing. Now ConnecTV, partnered with Pearl, is trying to corner the activity as it takes off. Its promise: “synchronization of local news, weather, sports, and entertainment programming along with social polls.” Ah, synchronicity, a Holy Grail of our digital aspirations. Last week, Cory Bergman (a man of at least three full-time digital lives, with MSNBC, Next Door Media, and Lost Remote) sold his Last Remote social-TV site to Mediabistro.
  • Then there’s the disruptor of everything on planet Earth, Google. The company recently announced it is putting another $200 million into YouTube Channels, building on its initial $150 million investment. The move emphasizes how quickly YouTube is growing beyond its homegrown, user-generated roots. Now partnering with dozens of prime video producers, creating more than 100 new channels, it is trying to establish itself in viewers’ lives as a go-to video aggregation source. Major video producers are still wary of Google getting between them and their customers, both ad and viewer, but many others are signed on. Meanwhile, in Kansas City, Google Fiber TV (TV that’s healthier for you?) launches. It’s a rocket shot at the cable, telco, and satellite incumbents. It’s also a demonstration project: providing more, cheaper. The more: interactive search for TV that combs your DVR and third-party services such as Netflix. (Yes, The Singularity ["The newsonomics of Google ad singularity"] marches on.) Google Fiber TV combines DVR and third-party (Netflix-plus) search. Its DVR holds 500 hours of storage of shows in 1080p and the ability to record eight TV shows simultaneously. Bandwidthpalooza. Google’s goal: Toss a hand grenade among the TV-as-usual business models, and pick up some of the pieces, adding new significant revenue lines.
  • CNN moves to break out of its identity funk, figuring out what that powerful global brand means in this fast-changing digital news world. CNN President Jim Walton recently stepped down, clearly acknowledging that his 10-year run had reached an end. “CNN needs new thinking,” he said in a farewell note. On TV, CNN has been beaten up badly both both Fox News and MSNBC. In 2Q, CNN showed its worst numbers in 20 years, down 35 percent year-over-year. On the web, it’a a top-three news player. But overall, it’s become the Rodney Dangerfield of news entities, getting little respect. Its cable fees — the strength of its revenues — could be challenged by low ratings. Going forward and competing against other global news brands — many of which are transitioning their own businesses to gain far greater digital reader revenue — it is, at this moment, caught betwixt and between. How it brings together a single — and global — digital/TV identity is at the core of its continuing journalistic importance and financial performance.

That’s a short list. We could easily add HuffPo’s streaming initiative and The Wall Street Journal’s wider video embrace. Or Les Moonves’ digital moves at CBS. And Fox’s new MundoFox, Spanish-language TV network, taking on Telemundo and Impremedia. The new network, at birth, offers a strong digital component, working at launch with advertisers along those lines. Let’s note some quick takeaways here, all of which we’ll be talking about in 2013:

  • Note how much you see the names News Corp. and Fox here. While segregating its text assets (and liabilities), News Corp. is investing greatly in the video future.
  • Cable bundling’s longevity is uncertain. There’s a lot of residual power here, but we know how quickly that can fade in legacy media. Yes, the unbundling of cable and satellite has been overestimated by some, as Peter Kafka pointed out recently. Yet, these multiple digital strategies may still push a tipping point. Clearly, legacy TV media, despite their public protestations, sees that potential and is acting in multiple ways to prepare for it.
  • Though broadcasters are making major digital pushes, they start from a lowly digital position. Many broadcasters can count no more than 5 percent of their total revenues coming from digital. That compares to 15-20 percent or more for newspaper companies. While there are other sources of revenue have been more stable than those of newspapers, they need to grow digital revenues quickly to make up for inevitable erosion of older money streams.
  • TV ≠ newspapers. Much of broadcasters’ revenues are made on non-news programming, as much as one-half to two-thirds for most local broadcasters. While learning from TV experience here is useful, given lots of differences, the learnings must be smartly applied. As news consumers and advertisers move increasingly digital, though, that thick line that separate local TV from local newspapers thins by the day.

The all-access, news-anywhere, entertainment-everywhere era has created a new massive business competition. Which brands will be top of mind? Who will consumers pay? How valuable is news itself in this contest?

Comcast, Time Warner, Verizon, AT&T — pipes companies — are in one corner. CNN, NBC, CBS, ABC, Fox, HBO, Showtime, and other known-to-consumer brands in another. Aggregators like Netflix and Hulu over there. Media marketers like Amazon and Apple holding court. Google. The local broadcasters fighting for their place in this digital ring. This new battle of brands, in and around “TV,” is now joined.