Rabu, 30 April 2014

Nieman Journalism Lab

Nieman Journalism Lab


Q&A: Clark Medal winner Matthew Gentzkow says the Internet hasn’t changed news as much as we think

Posted: 29 Apr 2014 09:19 AM PDT

The Clark Medal is one of the most prestigious awards in all of academia, awarded to the “American economist under the age of forty who is judged to have made the most significant contribution to economic thought and knowledge.” (Names you might know among previous winners: Paul Krugman, Milton Friedman, Joseph Stiglitz, Steven Levitt, and Larry Summers.) This year’s honor went to Matthew Gentzkow of the University of Chicago’s Booth School of Business. Gentzkow is a pioneer in the field of media economics; his work, often co-authored with Chicago Booth’s Jesse Shapiro, takes advantage of previously unavailable data on audience, content, and media impact. Austan Goolsbee, also a Chicago Booth professor, commented on Gentzkow’s work in The New York Times:

“Before the Internet and advances in computing power, this couldn’t be done,” Mr. Goolsbee said. “You couldn’t analyze the data and you wouldn’t have had the ambition to try.”

Some of Gentzkow’s most talked-about research has been on bias in news sources — he’s written papers around measuring slant, whether readers consume diverse or confirmatory news, and whether there is a demand for biased news in the market. He’s looked at the impacts of television on children and on voting behavior, and he’s has studied online advertising.

Going forward, Gentzkow said he’s interested in looking at more international media — he’s focused on finding a comprehensive data set for global media content. He’s also excited about the potential for data created by geocoding and cellphones, as well as studying media impact on the individual level — maybe even with electrodes. We talked about the cost of information gathering, the demand for quality news, and the obstacles to gathering data; here’s our lightly edited conversation.

Caroline O’Donovan: Congratulations! I think I read that you now have a one-in-three shot of winning a Nobel. My question is: Can you build a predictive model that tells us what year you’re going to win the Nobel?

Matthew Gentzkow: I think I should refrain from speculating on that. The scary implication of this kind of thing is you don’t want to be remembered as the one guy who won this prize and then didn’t do anything very interesting afterward. One might think, if you’re lucky enough to win an award like this, then you can kick back and relax. But it doesn’t really feel like that. It feels like now I have a lot of work to do to try and live up to this vote of confidence from my colleagues.

O’Donovan: This is one of those wunderkind awards that specifically exists to make you feel like you have a lot of work left to do.

Gentzkow: I don’t know if 38 years old still counts as a kind, but I’m happy if it does. I think there is some notion in awards like this of recognizing people while they’re still working, as opposed to once it’s all done.

O’Donovan: But joking aside, the whole idea of all this new, deeper data being available — that’s not going away, right? So there’s certainly a lot left for you to get into.

Gentzkow: Oh, absolutely. It’s an incredibly exciting time to be involved in economics — to be involved in science broadly. There’s more and more data everyday. I think what everybody will be able to do 10 years from now will make this year look kind of puny.

The challenge is trying to keep up, keep close enough to the frontier, keep learning new things, keep up with all these smart graduate students who are getting their PhDs and know a lot more than I do. Try to keep producing new research. It’s challenging, but certainly the data and the technology are going to keep getting better, and that makes it exciting.

O’Donovan: To dial it back a little bit, what made you decide that media economics was something you were interested in? I assume it wasn’t, The data around this issue is going to explode, and I want to be the guy that was known for taking advantage of that. So how did you get interested? What were the big questions that were driving you?

Gentzkow: It was certainly not as far-sighted as that. The immediate thing was: I’m a graduate student, I need to find a topic for a dissertation so I can get my degree and get a job. So for me, like a lot of people, it came out of this process of casting around, looking for topics, talking to your advisor. Once I stumbled on it, it was a really good fit. There was a mix of interesting, rich economics that it seemed like other economists might find interesting, but also this broader set of political and social questions. Media is in some sense a market like any other market, but it’s interesting above and beyond the usual reasons because of the way it effects the political process. It’s something that the typical American spends three or four hours a day doing.

I never worked in business — I didn’t do consulting or investment banking. Some of the things people traditionally work on, I didn’t have exposure to. Newspapers and TV and the Internet were things I felt like, as a consumer, I had some intuition about, thought about, found myself asking questions about. It was a good fit for me to work on something that had already piqued my curiosity.

O’Donovan: Are there areas of it that you feel especially excited about, getting the answers to some of those questions?

Gentzkow: Things that I would love to work on and other people are working on — one is ongoing changes in online media. So things like social media and how that’s changed the landscape of where people get information and how. The way the business of media has changed online continues to be a really challenging and exciting question. Understanding online advertising markets, and how they work, this big question in the background — has the business of journalism changed in a way that we’re not going to be able to support? How is that going to play out at local levels? National levels?

And a third thing is how similar sorts of things play out in different countries around the world. Whether the U.S. media is a little bit conservative or a little bit liberal, that’s sort of important. But what’s happening in Russia, in China, in the Middle East, what happened in the Soviet Union, in communist countries — in those sorts of settings, there’s an order of magnitude bigger impact in some ways.

O’Donovan: Can you walk me through the difference in availability for those micro U.S. questions versus the more international questions? Where would that information come from? How do you get it? What are the difficulties or challenges to getting it?

Gentzkow: So, if you want to look at news text currently, say in the last year across lots of different countries, that is already easily available. Google News has sites for lots of different countries. Part of what’s really exciting is, it’s sitting right there.

Now, doing that in practice is a little harder. Jesse [Shapiro] and I several years ago had a project where we were trying to aggregate news content from lots of different countries, partly with some help from Google News, and the computational challenges, the challenges of getting everything into a form where it was clean enough that you could do something with it, proved to be pretty hard. We ended up putting that project on the back burner because we couldn’t quite get it all to come together.

O’Donovan: Google is cooperative with that kind of research?

Gentzkow: They tend to be cooperative. Google has a history of being very cooperative with researchers, at least to the extent that it doesn’t impose some huge cost or burden on them. They were very helpful about letting us access the database from Google News of the news stories they had archived each day, so we could go out and scrape the text of those things. That was really due to one engineer there who used some of his free time to set that up and do it. So I’ve found them to be extremely helpful. Obviously, it’s a business, so they’re going to be more reluctant to do things that require huge costs on their part.

O’Donovan: So you could scrape everything on a day and keep it all?

Gentzkow: We could scrape it and keep it. There’s some sensitive copyright issues around them giving us directly the archive of text from all of those sites; they were giving us the URLs and we were going out and storing the HTML text from those URLs ourselves. Again, this is an example of a project we never actually figured out how to do well enough to write a paper about it.

Somebody just showed me a website1 which is not primarily academic, where they actually have a very large number of sites around the world. They’re scraping them and categorizing them and backing out from them; automated measures of what events are happening — where, when, mapping them. It all sounded very exciting.

O’Donovan: When you’re thinking about chunking media types — you have some studies that are about newspaper content, and then some about broadcast and television, and then digital — how do you think about breaking those things down and making them comparable, if they can be comparable at all?

Gentzkow: Well, video is really hard. Obviously, automated content of video is something we’re still not very good at. Google’s working hard on that problem, so you can search for things, but that’s beyond my abilities.

But in terms of text, I think in the digital space, pretty much everybody’s competing with everybody, so it makes sense to think of that as one market, whether it’s ABC.com or NYTimes.com or NPR.org. Whatever traditional media you’re coming from, once you’re putting content online, you’re competing in the same marketplace. Newspapers in the 19th century, TV in the 1950s, daily print newspapers in the U.S. in the mid-2000s — that’s something different.

There is a theme running through this work: that the differences across media (in the sense of medium) are smaller than people often imagine. A lot of the underlying economics is the same online as it was for print newspapers and TV, and as it was in the 19th century. I think that’s part of the lesson that comes out of all of this — that maybe, things don’t change quite as much as we think.

O’Donovan: Can you give an example, or expand that a little bit?

Gentzkow: One of the projects Jesse Shapiro and I worked on, the study of ideological segregation online — the motivation for that paper was, there’s been a lot of discussion about the idea that because there’s so much variety available online, it’s going to allow people to self-segregate. Conservatives only look at conservative stuff and liberals only look at liberal stuff and neo-Nazis only look at neo-Nazi stuff and vegetarians only look at vegetarian stuff. Nobody gets any information that contradicts them.

The purpose of the paper was very simple: Let’s go look at some data on the way people actually consume news online and see to what extent that’s true. Conclusion: not nearly as much as you might think.

If you ask why not, the answer is because the Internet is not all that different from any other medium. The key thing driving low segregation online is that most people get most of their news from a very small number of sites. They get their news from CNN.com or Yahoo.com, NYTimes.com, Fox News — a huge share of news consumption is a small number of big sites that are very much in the middle of the spectrum in terms of their audiences.

Why is that true? Why haven’t we instead seen something a little more like the scenario Cass Sunstein was talking about, where everybody reads their own niche site and there are thousands of different niches and each person is in one of them? Because it remains true that the fixed costs of producing good news are still really high. It’s easy to put up a website, but to produce original reporting news content is still really expensive. Creating a website like CNN.com that covers everything that’s going on and that people trust and believe in is hard, is expensive.

So you end up with, just like in lots of other media markets, a small number of firms control a large share of the market. Those firms that invest all that money in quality are not going to do that and then cater to the neo-Nazi vegetarian tiny little corner of the market. They’re going to position themselves in the center to appeal to a wide audience.

The economics that drove the finding in that paper, I think, are the same economics that explain why we see what we do in TV and why we see what we do in print newspapers. The details are different, the cost structure is different, but basically the production of news remains not actually all that different. That shapes in a big way the outcomes that we see.

O’Donovan: That’s interesting, because that puts the reporting at the center of the cost to the news company, which I don’t think we talk about much.

Gentzkow: News companies are doing a few different things that are distinct. One is producing information — that is, reporters going out, collecting information, writing stories. A second is filtering and interpreting it — picking which one of the 25 stories we’re going to put on the front page. And a third is delivering it to people, physically, through the wires into their TV or throwing it on their doorstep with the print newspaper.

The Internet has dramatically changed the technology for delivering information to people, and it’s also pretty dramatically changed the extent of competition and filtering and interpreting information. But it really hasn’t changed all that much the production of news. If we want to learn what’s happening in Afghanistan, pretty much somebody has to go to Afghanistan and put their lives at risk and take photographs and interview people.

Those things have changed some — yes, there’s crowdsourcing, people upload videos from their phone. And yes, lazy reporters can just sit at home and do research on Google, where they don’t actually have to go down and sit in a city council meeting. But I would say relative to changes in other parts of the business, the way reporting has changed is much smaller. I think producing good news stories remains something that’s very costly, requires a lot of skill, a lot of talent. That remains the scarce resource. That explains why the Internet isn’t quite so different as we might have thought.

O’Donovan: I guess the fear there that you sometimes hear is that, if there’s a slow attrition of quality over time, then the reader no longer expects the same consistent level of quality news, then that might actually be disrupted.

Gentzkow: Like I said, I think to what extent the ability of the market to support high quality journalism has changed, or is changing, or will change, is a really important question, and not one I know the answer to.

I am more optimistic than some people about it. I don’t really buy the view that we train consumers to care about quality or not care about quality. I think the desire of people to know what is going on in the world from a source that they trust, that they believe is accurate, is a feature of humanity that’s been there for a long time. People in the Roman Empire cared a lot about getting the news, people in Medieval Europe cared a lot about getting the news, people in the 1920s cared a lot about getting the news, people today care a lot about getting the news.

O’Donovan: How does what you’re talking about — the demand for quality news — fit into the work you and Jesse have done on the consumer demand for biased news?

Gentzkow: There’s a really important clarification with that paper. The media slant that we’re measuring in that paper has no notion of good or bad attached to it. We are measuring based on the phrases that newspapers use, based on their content, which newspapers are to the right or left of which other newspapers. There is no notion in that paper of more or less slant, or more or less bias. All we can do is line people up from left to right.

What we’re picking up are decisions like: We have to call these people either undocumented workers or illegal aliens. Both of those terms are loaded, both have strong political connotations, we have to pick one or the other. People might debate this, but in my view there’s no such thing as the objective, correct term. Which decision you make will put you either to the left or the right, but it doesn’t make you better or worse or more or less accurate.

Saying that newspaper slant is driven by the readers doesn’t mean that catering to the readers is making newspapers worse or more biased or less accurate or lower quality. It just says: These differences we see, that some sound way to the left and some sound way to the right, are shaped by making the decisions that will appeal most to those readers.

There’s a separate question that we don’t take up in that paper which is: How does catering to readers affect quality? For example, maybe really all that people want to read about is celebrity gossip and scandals and local crime, and media end up covering those things to the exclusion of political debates or something that you think might have valuable social effect. Does catering to consumers make media more lowbrow, highbrow?

I think local crime is actually pretty important; political scandals are an important part of politics. Judging what news content is good for society and what news content is bad for society is a little bit of a tricky business. But I think it’s still a really interesting question.

O’Donovan: I was going to say, how do you even measure what’s highbrow or lowbrow? It dovetails interestingly with this trend toward explanatory journalism, because it’s the difference between content and tone. We’re used to tone reflecting content — The New York Times uses these fancy titles for people, because it’s the Times and it’s good journalism. When we mess with that, what are we saying to our readers?

Gentzkow: There are ways to measure highbrow versus lowbrow. You can measure the length of the words that you’re using, you can measure how dense the text is, you can look at what kinds of words tend to be used by outlets with highly educated readership versus less educated readership. I think the challenge is getting some measure like that that you’d be willing to attach normative meaning to and say “higher is better for society.” I think that is very difficult. It’s not clear that the world would be better if all media was designed to appeal to people with PhDs. I think in that world probably nobody would look at media — nobody would learn anything.

O’Donovan: I know you have to run, so just one more question. I really liked the language Austan Goolsbee was using to talk about you to other reporters — he called the data sets that you were using “unfathomable” and said these were “unprecedentedly grand ambitions.”

For you, is there a dataset out there — maybe it exists, maybe it doesn’t, maybe you know where it is, maybe you don’t — but is there something, if it was quantifiable, that you’d want as your next dataset?

Gentzkow: It’s a good question. Really being able to see all the media content being produced across all the countries in the world is one.

I think things at the individual level give you more insight into how people are reacting. Ideally, the hypothetical dataset is to look inside everybody’s head and see their beliefs and how they’re thinking about things. So maybe we can put electrodes in peoples’ brains and come up with a way to measure that directly.

Another thing that’s out there is all this geocoded data coming from the fact that everybody’s cellphone now tells you where everybody is every minute of the day. I don’t know what I’m going to do with it, but that’s going to be a huge area of research going forward.

Notes
  1. The GDELT Project — “a recent example of people aggregating text from around the world; it illustrates the potential”

NewsLynx wants to build tools to better measure the impact of journalism

Posted: 29 Apr 2014 07:50 AM PDT

A new research project over at Columbia’s Tow Center wants to do a better job of determining the real impact news has on the world around us.

Former Knight-Mozilla OpenNews fellows and current Tow fellows Brian Abelson, Michael Keller, and Stijn Debrouwere hope to find new ways to both quantitatively and qualitatively measure the impact of journalism with NewsLynx.

To that effect, they’ll be working with the over 100 members of the Investigative News Network, trying to figure out how impact is measured and what the goals are in those newsrooms. Their first step will be to build a standardized taxonomy for talking about impact across organizations. This list gives a sense of what next steps will be:

— Tracking of social media "mentions" and "likes" over time on Twitter and Facebook.

— Tracking of mentions by lists of people, e.g. local and national representatives, other journalists, or institutional representatives.

— Integration with Google Analytics and other metric providers.

— A Google Alert-like river of mentions that can be approved and associated with a given article.

— A Customizable qualitative taxonomy and tagging system.

— An interface for recording "impact" events not tied to automatic processes.

— "If-This-Then-Impact" recipes for custom combinations of events that should trigger an event to be recorded.

— A report generator for distributing impact assessments to staff, board members, and financial backers.

NewsLynx is also likely to be the first news research project to launch with a reference to the Borgesian Celestial Emporium of Benevolent Knowledge.

How 10 news organizations look at issues of online engagement

Posted: 29 Apr 2014 07:18 AM PDT

How do you measure success in the digital sphere? How should news organizations interact with their audience? What’s the best way to personalize content for individual users? These were among the topics discussed over the course of two days in February as representatives from 10 different news organizations gathered around a conference table in Austin to discuss the challenges (and opportunities) wrought by the Internet.

News orgs represented:
The Arizona Republic
CNN
The Daily Beast
The Dallas Morning News
The New York Times
NPR
The Sacramento Bee
The Texas Tribune
The Wall Street Journal
The Washington Post

This particular discussion was facilitated by the Engaging News Project at the University of Texas, which brought together the journalists — which hailed from organizations like The Wall Street Journal, The Sacramento Bee, NPR, and The Texas Tribune — for a workshop on digital best practices and ideas for future experimentation.

“These sorts of conversations provide a space for organizations to work together, and I think there’s an increasing realization that for the news space to survive it’s in people’s interest to have some collaborations,” said Talia Stroud, director of the Engaging News Project.

The Engaging News Project this morning released a report summarizing the discussions which highlights various points and thoughts shared by the participants during their conversations. Here are a few highlights.

Measuring success

New technologies have allowed news organizations to tell stories in different ways online, but many still aren’t sure how to best tell a story or present information online. “How do we know whether an [interactive] infographic is better than some old-school bar chart?” Stroud asked. “This is such a profound question, right? How do we know whether the things we’re doing are working or not?” But back up: How do you even define “working”? Advertisers have their own favored audience metrics, but are they the best way to measure user engagement?

The focus is often on time on site and repeat visits, according to Tom Negrete, The Sacramento Bee’s director of innovation and news operations. (The report paraphrases the participants’ points rather than quoting them directly.) But he argues newsrooms and journalists have an obligation to go further, to measure comprehension: Can an individual understand what was just read in a news story?

To try to address this very issue, The Daily Beast has introduced a value-per-visitor metric which measures how visitors to the site read, comment, tweet, share, email, click a link, and click an app, Mike Dyer, the Daily Beast’s chief digital officer, says in the report, noting there is an economic and journalistic value to each of these actions. The Daily Beast has found, for instance, that standalone infographics are shared 300 percent more often on social than traditional articles on a similar topic. Late last year, Daily Beast staffers began meeting monthly to discuss metrics on stories, and since then monthly referrals have increased about 30 percent, Dyer said.

Measuring success is further complicated in places where there’s a traditional print or broadcast platform coexisting with digital. At The Wall Street Journal, there’s a push and pull between modes of thinking, according to Jonathan Keegan, the Journal’s director of interactive graphics. “A staffer may design a stand-alone infographic,” he’s paraphrased as saying in the report. “Copy editors may wish to hold the infographic to run alongside a news story. That is print thinking. We are getting better at realizing that graphics can go up on the site at any time.”

Improving reader engagement

Comment sections on news websites have long been derided as breeding grounds for uncivil discourse and extreme opinions. Many of the participants in the roundtable were frustrated by their comments sections and were interested in finding ways to foster more productive reader engagement.

There were various suggestions on how to reimagine comments — from inline commenting to encouraging commenters to respond to a specific question posed about the article. A consensus among the participants was that increased interaction with newsroom staffers could help with the civility dilemma — but they also acknowledged that many newsrooms do not have the resources to devote staffers to mind the comments.

Sasha Koren, The New York Times’ deputy editor of interactive news, cites the Times’ “active moderation” approach, noting that while it is heavily resource intensive, the work done to encourage meaningful comments has significant benefits for other readers.

(Still, some suggested that it’s best for reporters to stay out of the comments section. Charles Mahtesian, NPR’s politics editor for digital news, said he suggested that route because you can’t “win” against an angry commenter and dipping into the mire can be discouraging for reporters.)

How news organizations approach personalization

There was a wide disparity in how the participating news organizations thought about personalizing and segmenting their content for users, and the discussion identified seven different approaches for segmenting content: by topic, by demographics, by past site behavior, by how people come to the site, by platform, by location, and not segmenting content at all.

Stroud said she was surprised by how varied the different approaches were across news organizations, but added that all the differences could ultimately be beneficial for all news organizations. “If we want to know what works, we have to get some mechanism for assessing these sorts of things so we can distribute that information,” she said.

Again, check the full 21-page report for more about what was discussed.

Selasa, 29 April 2014

Nieman Journalism Lab

Nieman Journalism Lab


Vox is publishing some of its stories and the interviews behind them in parallel

Posted: 28 Apr 2014 08:11 AM PDT

It’s a small thing, but worth noting: For stories that are built around a single interview, Vox is now publishing both the story and the interview transcript in parallel. Take this Thomas Piketty piece by Matt Yglesias, for instance: story and interview, both on the same page (html-wise, if not visually), with a button toggle between them.

vox-story-interview

Is this revolutionary? Nope. But think about the small good things it does:

— It presents content in two different forms. Some people will prefer the story; some will prefer the interview. (That’s particularly true on a subject like Piketty, whose new book has launched a thousand thinkpieces in the past couple of weeks.) This serves both.

— It does so at virtually no cost; the interview’s already complete. And it aligns well with Vox’s message that they’re promoting depth and understanding rather than surface knowledge.

— It opens up the possibility of richer testing and audience data. Do people spend more time with one form than the other? Are people more likely to share when they’re reading one form or the other? Does presenting one or the other to the reader first encourage different behaviors? (No idea if Vox is tracking any or all of that, but it’s all possible, and it could be tracked across many different pieces.)

Is it perfect? Nope. I suspect a lot of people arrive at the article page and don’t even realize there’s an interview a click away — or vice versa. In fact, I first noticed Vox was doing this when I saw Brian Boyer complaining about the interaction model on these pages:

At the time, the switcher was only at the top of the page, and the two states shared the same URL — it was impossible to link directly to the interview. But within a couple of hours, Vox’s Yuri Victor was tweeting about how those problems were about to be fixed.

I mention all this because I get a little frustrated when Vox’s big edge is portrayed as Chorus, its content management system. Chorus is very nice! Most newspapers’ CMSes are terrible! And any CMS designed primarily for digital is likely to be better for digital publishing than one designed first for print. The loving coverage Chorus gets would seem to imply that, if only every news organization had a Chorus, they’d all be getting venture capital thrown their way too.

But Vox’s edge really isn’t in a particular piece of software. It’s in people and culture. The CMS is an outcome of those two things, not the driver of them.

The Washington Post, where Victor and many of the other Voxers used to work, has an unloved primary CMS, but it also runs WordPress, a perfectly good option. I won’t claim WordPress can do everything Chorus can do — for instance, WordPress cannot produce rainbows and cotton candy, at least not without a plugin — but it can do an awful lot. I haven’t seen anything on Vox.com so far that couldn’t be built pretty easily on WordPress.

But the difference really isn’t Chorus. The difference is that Vox is open to experimentation, it demands rapid iteration, and it puts technology-shaping people on par with word-shaping people. The difference is that, in many traditional newsrooms, changing the UI on a page like this one would have taken multiple meetings where the tech side’s knowledge would likely have been undervalued. It’s a corporate ethos and a permission structure that means good ideas don’t have to get bottled up. It’s being the kind of place that would build Chorus in the first place. That is Vox’s edge, and you can’t buy that off the shelf.

Cindy Royal: Are journalism schools teaching their students the right skills?

Posted: 28 Apr 2014 07:10 AM PDT

If you are a journalism educator or media professional, I have news for you: We work in tech.

I know: That’s not exactly what you signed up for when you entered the profession 20, 10, or even five years ago. But things have changed. While some of the tenets of the profession we formerly knew as journalism have remained, workflows, business practices, participants, and competitors are all very different. Because we work in tech.

Internet and web technologies don’t just represent a new medium where print and multimedia can live in harmony. The ways we communicate both personally and professionally have been profoundly altered. Communication is technology, and technology is communication. That’s the true convergence.

This month, two different conferences addressed this intersection. The International Symposium on Online Journalism held at The University of Texas brought together professionals and scholars around the topics of data, drones, media startups and analytics, while Journalism Interactive was being held at the University of Maryland for journalism educators to engage on digital curriculum topics.

Around the time Amy Webb of Webbmedia Group was delivering her talk on tech trends for journalism educators and recommending a summer syllabus for journalism educators at JiConf, I was discussing ways scholars could be more innovative in their research programs at ISOJ. The areas of emphasis I recommend include data, location, analytics, new curriculum design, and a general commitment to meaningful and innovative scholarship.

What both these presentations have in common is the reality that, as communication educators and scholars, we work in tech. Webb recommends a complete overhaul of journalism curriculum to have more aspects of a technology degree. I agree and have made some recommendations here and here.

But I think some clarification is necessary about what is meant by “tech.” Technology can mean a lot of things. It has meant things in the past, like the printing press or the pencil or even the invention of language. It can refer to innovation in automotive, aerospace, military, or a variety of other settings, like food, health, medicine, and more.

In a media context when we speak about technology, it usually refers to computing applications. It can mean hardware or software. It can mean programming or network management, websites, or mobile apps. It’s not that you’ll be building computers or making sure your department’s servers run properly.

There’s a specific angle of tech in which we must be focused. What everyone in journalism needs to understand about tech is the distribution platform made possible by the Internet, web, and mobile technologies. “Platform” is another term that can mean a lot of things to different people, but in this context, it basically refers to the systems by which content is distributed and shared. It specifies who can publish, who can share, and how easy it is for them to do so. But it’s also what has changed the scale, scope, business models, competition, and participation levels associated with media. I am talking about the leverage that digital media introduces, which is different than a digital-first (or mobile-first) mentality that emphasizes a prioritization of the workflow of a news organization.

The web itself is the original platform. Its open nature allowed anyone with a rudimentary knowledge of HTML to develop an online presence. Over time, the ability to do that was simplified by the introduction of blogs and social media, or the rise of the content management system. The barriers to entry keep getting lower.

As social media platforms matured, different features were introduced that allowed for widespread sharing and commentary. As these platforms grew in popularity, network effects took hold creating scale, or exponential growth in the user base. They became the new distribution channels for news as well as a lot of other content. But news organizations, which are the publishers of said content, no longer control these channels.

I have been known to say that the majority of my value in engaging with news is my ability to share it. Platforms make this happen. Basically, share it or it didn’t happen.

At the South By Southwest Interactive conference last month in Austin, former Nieman Lab staffer Zach Seward, now of Quartz, gave an enlightening talk called Platforms vs. Publishers: A Big New Theory. He described how media organizations shouldn’t be simply classified as either platform or publisher, but were instead now on a spectrum, reflecting the level to which they demonstrate characteristics of each.

Now we have a slew of new organizations that are attempting to enter the media space, each a unique hybrid of publisher, the old media model, and platform. They are trying to capture the scale of the platform with their own special spin on content. Sites like Medium, Quartz, BuzzFeed, Upworthy, and Vox, as well as Forbes and LinkedIn, are experimenting with opening their platforms to give a broader base of users access to their audiences. Users can include the general public, topic experts or influencers, but may also be companies and brands that are telling stories that reflect their products, services or thought leadership in their markets.

There are fewer things these days that differentiate what sites like Facebook and Twitter do from sites like Vox or Medium and The New York Times or Texas Tribune. And they’re all competing for attention.

But the biggest limitation to teaching about platform distribution and strategy is in the resources we have to teach courses that introduce these topics. Who will teach these skills to our students who, when they graduate, will work in tech? How strong of an emphasis should they have in our curriculum?

Very strong, in my opinion. Webb’s summer syllabus includes some good readings and exercises that introduce the role of technology in media. I’ve formulated my own 10 questions with resources for gaining and practicing the tech perspective in journalism curriculum.

How much of your curriculum is dedicated to these issues?

1 Do you understand the history of computers, the Internet, and web and how they relate to the current state of platforms? (Weaving the Web by Tim Berners-Lee; Hackers: The Heroes of the Technology Revolution by Steven Levy; The Internet: Behind the Web; Download: The True Story of the Internet

2 Do you understand new business models created by platforms? (The Long Tail: Why the Future of Business is Selling Less of More by Chris Anderson; Free: How Today’s Smartest Businesses Profit by Giving Something for Nothing by Chris Anderson; What Would Google Do? by Jeff Jarvis; The Innovator’s Dilemma by Clayton Christensen; Remix: Making Art and Commerce Thrive in the Hybrid Economy by Lawrence Lessig)

3 Do you understand the role of the user in a platform environment? (Cognitive Surplus: Creativity and Generosity in a Connected Age by Clay Shirky; Convergence Culture: Where Old and New Media Collide by Henry Jenkins)

4 Do you understand network effects that drive platform dynamics? (The Internet Galaxy: Reflections on the Internet, Business, and Society by Manuel Castells; The Wealth of Networks: How Social Production Transforms Markets and Freedom by Yochai Benkler)

5 Do you know what technology entrepreneurs think about the news business? (The Future of the News Business: A Monumental Twitter Stream All in One Place)

6 Are you familiar with each of these sites or mobile apps for distribution of news? (Reddit; Medium; Vox; FiveThirtyEight; BuzzFeed; Upworthy; Circa; PolicyMic; The Intercept)

7 Do you know why you should care about and use social media platforms? (Facebook Paper; Twitter; Google Now; Yahoo News Digest)

8 Do you understand the role of data in telling a story? (The Data Journalism Handbook; Anyone Can Do It: Data Journalism is the New Punk by Simon Rogers; “Analysing Data is the Future for Journalists, says Tim Berners-Lee” by Charles Arthur)

9 Do you know how to: Make a basic website from scratch using HTML/CSS? Register a domain and get web hosting? Customize a blog platform like WordPress? Do basic video and audio editing? (Find basic introductory handouts.) Or do you have any of the more advanced skills of: JavaScript? Data viz tools, like Google Fusion Tables, Chart.js, or D3.js? A web development language like PHP, Python, or Ruby? Git and GitHub? SQL or MySQL database commands? (Find more advanced handouts.)

10 Do you pay attention to technology websites and publications? (Follow them on Twitter: Mashable; TechCrunch; Pando; Recode)

Once you have an understanding of digital and tech as related to platform dynamics, then you can formulate opinions as to how technology affects media as well as other areas: social issues, music and entertainment, legal issues, government and policy issues.

Where I teach in the School of Journalism and Mass Communication at Texas State University, we have a required class that covers many of these topics. Shouldn’t all journalism faculty understand the basic tenets of digital media, if this is what we are expecting our students to know? The future Nate Silvers and Ezra Kleins are sitting in our classes right now, but so are the future Zuckerbergs, Mayers, and Karps. Let’s give them the skills and perspectives they need to lead, disrupt, and innovate, not just work.

So it’s platform or perish. We’ll never be able to fully achieve a digital, technology-based curriculum until we have faculty who are committed to preparing students for the digital, technology-based world into which they are graduating. The sooner we all accept this, the better.

Because we work in tech.

Cindy Royal is an associate professor in the School of Journalism and Mass Communication at Texas State University and a 2013-14 John S. Knight Journalism Fellow at Stanford.

Photo of the UMass-Amherst journalism department by Lam Thuy Vo used under a Creative Commons license.

Sabtu, 26 April 2014

Nieman Journalism Lab

Nieman Journalism Lab


This Week in Review: Net neutrality under threat, and Aereo and the future of free TV

Posted: 25 Apr 2014 07:04 AM PDT

This week’s essential reads: The few key reads this week are Ryan Singel on the FCC’s Internet regulation proposal, The New York Times’ David Carr on the significance of the Aereo Supreme Court case, and The Guardian’s James Ball on the new wave of explanatory journalism sites.

A net neutrality alarm: Two big stories this week dealt with the degree to which large media companies will be able to control the ways content is transmitted. The bigger one came Wednesday, when The Wall Street Journal and The New York Times reported that the U.S. Federal Communications Commission was about to propose new rules that would allow Internet service providers to sign deals with content providers allowing faster connection speeds to their sites. The new rules would supposedly be an effort to protect “net neutrality” — a principle that ISPs shouldn’t be able to discriminate against Internet traffic to certain sites — but would do precisely the opposite.

FCC chairman Tom Wheeler objected that the reports that his proposal would kill net neutrality were “flat wrong,” and when he announced the proposal on Thursday, Wheeler emphasized that deals that are found not to be commercially reasonable or that are anti-competitive or harm consumers, won’t be allowed. But as Contextly’s Ryan Singel argued in a good explanatory piece, since U.S. Internet providers operate in an essentially non-competitive market, a “commercially reasonable” standard is no protection against those providers squeezing each major content provider — and especially smaller, up-and-coming ones — in individual deals.

Gigaom’s Stacey Higginbotham also looked a bit deeper into the “commercially reasonable” standard, examining what it might entail and noting the key shift from “unreasonable discrimination” in the FCC’s old rules to “commercially reasonable” in these, and in another post, she expressed concern that the standard sounds as though will essentially allow ISPs to set the standards, with consumers or smaller competitors left to complain ineffectually well after the fact.

Instapaper founder Marco Arment and Techdirt’s Mike Masnick both criticized the characterization that the new rules would allow ISPs to create a “fast lane” for particular sites, arguing that wouldn’t speeding things up for some, but actually slowing them down for everyone else. “This is not making anything faster,” said Arment, “it's allowing ISPs to selectively slow down traffic that they don't strategically or financially benefit from, and only permit traffic from their partners to run at the speeds that everything runs at today.” Masnick also made the argument (along with several others) that the regulations will allow ISPs to double-charge big companies, and by extension, consumers.

So what would all this mean, in the big picture, besides increased costs for us and more profits for the telecom companies? Both TechCrunch’s Alex Wilhelm and Columbia law professor Tim Wu argued that it could stifle online innovation and favor the existing giants. “If enacted, it will profoundly change the Internet as a platform for free speech and small-scale innovation. It threatens to make the Internet just like everything else in American society: unequal in a way that deeply threatens our long-term prosperity,” Wu wrote.

As Singel noted, the FCC could ensure true net neutrality by simply classifying broadband providers as “common carriers” just as telephones are, and he urged readers to call on the FCC to find the political will to do that. At The Guardian, Dan Gillmor also saw that as a solution, along with creating genuine competition among ISPs. Likewise, Bloomberg Businessweek’s Joshua Brustein said net neutrality isn’t a silver-bullet solution, and the bigger problem is anti-competitive behavior by ISPs. As BuzzFeed’s Charlie Warzel reported, open Internet activists are planning for a day of coordinated action on May 15, the day the proposal goes out for public comment.

aereo

Aereo, free TV, and the cloud: The other of these two stories about big media and content transmission came earlier this week, when Aereo, a startup that allows people to stream live over-the-air TV on any device for a monthly fee by renting out one of its many tiny antennas, had its legality argued before the U.S. Supreme Court. There was plenty of good explanation of what’s at stake here: The Columbia Journalism Review’s Sarah Laskow reviewed the media coverage of the case, The New York Times’ David Carr and The Washington Post’s Cecilia Kang and Robert Barnes wrote good curtain-raisers in advance of the arguments, and Vox’s Timothy B. Lee, Gawker’s Michelle Dean, and SCOTUSblog’s Amy Howe broke down the case. For a legal deep-dive, read SCOTUSblog’s Lyle Denniston analysis on both sides’ arguments before and after Tuesday’s session.

Carr’s piece gives a good sense of what this case might mean more broadly. Broadcasters are upset because Aereo streams their over-the-air signals without paying the retransmission fees that cable companies pay to carry over-the-air programming, and if Aereo wins the case, it would open the door for other companies to build other legal workarounds to avoid paying those fees. The networks have threatened to take their programming off the free airwaves entirely and move to cable and satellite if they lose, something that, as Carr notes, would decimate local broadcasters and local TV news.

As The Washington Post’s Cecilia Kang wrote, the court seemed skeptical of the legality of Aereo’s tiny-antenna workaround, but was concerned about the precedent a ruling in favor of the broadcasters might set to sharply limit the freedom of other cloud services under copyright laws. In an interview with TechCrunch, Aereo CEO Chet Kanojia was optimistic about his company’s chances, though as Carr noted, if he loses, the company is done. Even if Aereo wins, it faces an uphill path to large-scale viability, as Recode’s Peter Kafka argued.

As for the broadcasters, Fortune’s Peter Suciu talked to experts who said it’s unlikely that they’ll make good on their threats to pull out of over-the-air transmission if they lose, as their business model is too dependent on advertising — and, by extension, gathering the largest audiences possible. They may, however, build an Aereo competitor or try to work with Aereo so that its viewers will count in Nielsen ratings. Andrew Cohen of The Week said no matter how the case turns out, the broadcasters should see the writing on the wall, because “this case is a sign that the industry can no longer control its future the way it once could. It’s a sign that technology is once again pushing up against the law.”

At Politix, Derek Khanna made the case, based on the idea of judicial restraint, to allow Aereo to continue its service. New York magazine’s Kevin Roose made the opposite point, calling Aereo “a clever bit of regulatory arbitrage masquerading as a start-up,” and comparing it to hypothetical automated service that would read and reproduce magazines to you from newsstands without buying them. Forbes’ Jeff Bercovici objected to the analogy, noting that Aereo’s isn’t reselling programming that’s already for sale and arguing that if there were an Aereo-like service like Roose described for free newspapers, they’d love it.

logo_sf@2xEvaluating The Upshot and explanatory journalism: Another entrant into the quickly growing realm of explanatory journalism launched this week: The New York Times’ new sub-site The Upshot. The site’s editor, David Leonhardt, wrote an introductory piece describing its aim as educating readers about complex issues in a direct, plain-spoken way. The description reminded many of Ezra Klein’s recently launched explanatory site Vox, and its emphasis on data-driven stories bears some resemblance to Nate Silver’s rebooted data journalism site FiveThirtyEight, which was formerly housed at The Times.

In an interview with the Lab, Leonhardt said the creation of The Upshot was sparked by Silver’s departure, but wasn’t an attempt to recreate his style. Leonhardt also explained the rationale behind the site’s commitment to transparency, arguing that “I think we have more credibility when we're honest with people about what we know and what we don't know.”

Initial reviews of the site were generally positive: Alex Howard of the Tow Center appreciated its transparent approach, though Gigaom founder Om Malik said the site was solid but bland — “reading through it felt like homework.” Gigaom’s Mathew Ingram was intrigued by The Upshot’s goal to explain and give context to — to aggregate, in a way — The Times’ other content. At Mother Jones, Simon Rogers called for greater transparency across the new generation of data journalism sites.

Ingram also compared The Upshot with Vox and FiveThirtyEight, wondering if there are really enough interested readers to support all three of these explanatory sites. The Guardian’s James Ball offered the best analysis of the three sites, focusing more deeply on their audience conundrum: Despite their efforts to give basic background information on big stories, “the people who read them are likely to be the ones who already have a pretty good understanding of the news. You’ve got to be a pretty informed (and humble) news consumer to read a news piece and then hunt down a separate site to understand it better.” Ball advised the sites to pick a particular audience and tone, and to focus on personalizing data and explanation.

PandoDaily’s David Holmes pointed out another challenge to the explanatory journalism genre, noting that the best explainers often leave readers with more questions and awaken them to just how complex an issue is. John Herrman of The Awl wrote that by themselves, explanatory sites look like an awkward, disjointed, and preachy cavalcade of headlines because they assume the existence of a stream of misinformation which they are there to clarify or correct. “They are unbroken strings of interruptions that have nothing to interrupt.” And at the Lab, Craig Silverman looked at the challenge of keeping Vox’s card stacks current as knowledge changes and becomes obsolete.

Reading roundup: Here’s what else popped up during a busy week:

— Slate introduced its paid membership model, Slate Plus, which offers additional content and access to Slate events and writers for $50 a year. The Lab’s Joshua Benton broke down the plan, and Gigaom’s Mathew Ingram wrote about Slate’s plan as an experiment with the “reverse paywall” model. Digiday’s Ricardo Bilton compared the membership models for news that have cropped up lately.

— The Newspaper Association of America released its annual revenue numbers for the industry, and Poynter’s Rick Edmonds highlighted newspapers’ narrowing revenue losses, noting that digital subscriptions cut into advertising losses a bit. Analyst Alan Mutter, the Columbia Journalism Review’s Ryan Chittum, and the Lab’s Joshua Benton all took a more pessimistic tack, noting that the boosts from those subscriptions are still being swamped by declining ad revenue.

— Prominent Reuters columnist Felix Salmon is leaving to join the year-old youth-oriented cable network Fusion, owned by Disney and Univision. Salmon explained why he’s making the move in a post touting the demise of text and the ascendance of multimedia and multiplatform content, and Gigaom’s Mathew Ingram countered that text still has a significant role to play along multimedia.

— Finally, a few interesting and useful pieces of journalism research: The Tow Center’s Claire Wardle and Sam Dubberley released the first part of their report on the use of user-generated content at cable news networks, the Knight Digital Media Center’s Michele McLellan released some numbers from her survey of local news startups, and Poynter’s Craig Silverman wrote about a new study showing the value of “communicating imperfection” in sustaining readers’ trust in journalism.

Image of Ethernet cable by Bert Boerland used under a Creative Commons license.

Jumat, 25 April 2014

Nieman Journalism Lab

Nieman Journalism Lab


New numbers from The New York Times: A gold star for managing the digital transition

Posted: 24 Apr 2014 02:54 PM PDT

Look at The New York Times Co.’s Q1 earnings report, released and webcast today, this way: The Times — for now — is doing an above-average job of managing the print-to-digital transition. Several pieces of data confirm that belief.

A couple of numbers tell us a lot: In the first quarter, the Times took in $40 million in digital-only subscription revenue. That number has been growing; it ended up at about $150 million for 2013. But in that same quarter, the Times’ overall circulation revenue increased by only $4 million, year over year.

On the face of it, the numbers don’t make sense. Why is the overall circ revenue increase so small, given how much digital circ revenue continues to grow at a good pace — 18 percent year over year, now creating a paid digital-only circulation number of 799,000? Put simply, print circulation continues to tumble dramatically. It’s down in copies sold — 6.5 percent daily, 2 percent Sunday. While the Times put more print price increases into the market over the last 15 months, its print readership continues to drop rather dramatically.

The Times is still growing digital-only circulation (albeit at lower prices than in print), reporting 799,000 than print. It added more net digital subscribers in the first quarter of 2014 than in any quarter in 2013. But the key element is successfully — if only marginally — managing this transition. The goal: Keep that reader revenue growing, even as the Times loses paid (and higher priced) print.

One important point: The cost of fulfilling those digital subs is far lower than the print ones. That’s the 2018-20 story: Get to that future fairly intact, and the business becomes far more profitable. This is the story the Financial Times — in many ways the Times’ model — has been able to start telling. In its last report, it reported only a 1 percent increase in revenues, but a 17 percent jump in profit. Farther along in the digital transition, its profit picture is improving more quickly.

One other data point tells us about this tightrope transition success: The Times reported a 4 percent print ad revenue increase for the first quarter. The entire newspaper industry lost 8.6 percent of its print revenue last year (see today’s earlier story, “The newsonomics of slipping digital performance”), so being up 4 percent is significant. Times Co. CEO Mark Thompson made a major point of April being a tough month and the ad waters still being very choppy. (In other words, don’t expect 4 percent growth again in Q2.)

But for Q1, consider that the Times is shedding lots of print customers, but still growing print ad revenue and managing to still grow reader revenue. Give Thompson one gold star for now: His first mandate is to improve revenue growth, and this is the third quarter in a row he’s done that.

Many challenges, and rocks, lie ahead:

  • Digital advertising was up just 2 percent (comparable to 1.5 percent at U.S. dailies generally). New ad head Meredith Levien is especially bullish on the kind of native advertising that is populating NYT Now; a half-dozen top-drawer advertisers are running campaigns. Profit was marginally down (to $22 million from $28 million), and will continue to be pressured. NYT Now costs money to produce, as will the new opinion (later spring) and food (summer) digital niche products.
  • Further, as NYT digital chief Denise Warren pointed out, the marketing of those products and of digital circulation overall increases near-term costs. Warren, of course, wouldn’t say how well NYT Now and the new upsell Premier product are doing so far, less than a month after launch. It sounded, though, like NYT Now was taking off faster. If that’s right, it’s good news for regional publishers looking at adapting its low-cost, mobile-first model.
  • Those local publishers have a parallel, but different challenge, than the Times. The Times has the whole world to sell to; it said today it will start offering its subscriptions in local currencies to bolster that push. The local press — dailies and many others — must work smaller markets. But then again, the relationships they have on their doorsteps, with readers, merchants, and community institutions, are unlike those to which the Times has access.

Tomorrow, a conference in New Jersey, “Innovating the Local News Ecosystem” (livestream tomorrow at 9ET here, #innovatelocal on Twitter), will focus on those local challenges and opportunities. Sponsored by the School of Communication and Media at Montclair State University, it has a packed agenda (I’m on a morning panel with USA Today publisher Larry Kramer, Jim Brady, Tiffany Shackelford, and host/Montclair State school director Merrill Brown). Still, what we’re learning from The New York Times, across the Hudson, shouldn’t be too far from our conversation.

Photo of The New York Times Building by Alexander Torrenegra used under a Creative Commons license.

The newsonomics of newspapers’ slipping digital performance

Posted: 24 Apr 2014 07:30 AM PDT

As we approach the middle of the 2010s, where do newspapers fit in the battle for America’s largest ad sector — digital? And how well are all those paywalls doing?

Two reports tumbled into the public sphere within a week of each other recently, and together, they help us answer both questions.

The numbers here show that the newspaper industry overall — a relative minority of leading-edge players aside — is trending the wrong way. Both digital ad revenue and reader revenue continue to grow, but both are less positive than they were a year ago.

Let’s start with the overall digital ad market.

The Interactive Advertising Bureau’s 2013 full year report is its usual rosy self. Ten years ago, IAB had to explain what it was. Now, it tracks the country’s No. 1 ad type — digital. Digital ads passed broadcast TV for the first time, and by a healthy margin, $2.7 billion. Passing TV is another milestone, coming just a year after digital surpassed print (newspaper + magazine) spending. Now, its lead over newspapers, as seen in the IAB chart below, is more than two to one, $42.8 billion to what IAB counts as newspapers’ $18 billion.

iab-ad-revenue-share-by-media-2013-digital-tv-nsp-radio

Curiously, that last number — part of a study PwC (PricewaterhouseCoopers) did for IAB — counts $5.8 billion less in overall newspaper advertising than does the Newspaper Association of America (NAA), which released the other big summary 2013 report.

That’s a big difference — 25 percent. How come? (“It was sourced within PwC data,” offers PwC’s Steven Silber in explanation.)

Metrics are a big issue in the web world, but this ad delta — print and digital combined — is an outsized one. Whichever number you want to use — $23.8 billion or $18 billion — is highly meaningful. But your choice won’t change our tale much. The gulf between digital and newspaper advertising is now enormous, and still growing: Digital advertising grew 17 percent year over year.

The graphical time series reinforces the numbers and puts squiggly lines to the lost decade for newspaper companies:

iab-digital-ad-revenue-by-media

There’s a lot more in the report than the top-line numbers, and we’ll get to some of that below. First, though, let’s compare the IAB report with that NAA report that came out at the end of last week. Let’s start with the NAA’s digital ad number. It came in at $3.42 billion, an increase of only 1.5 percent year over year, shown below in the context of other 2013 revenue categories. (Note: The direct marketing and niche publication data is all print; any digital niche revenue would be in “digital ads.”)

naa-newspaper-revenues-2013So, as digital advertising overall grew by $6.2 billion in a year, newspapers’ digital ad take increased by only $50 million — less than one percent of that six-billion-dollar growth.

That’s a fairly incredible number. But it’s not a surprising one.

Each newspaper company reports (and internally allocates) its digital ad revenues by its own standards, so it’s tough to get apples-to-apples comparisons about how well these publicly reported numbers differ company by company. (Not to mention the many newspapers going private and only selectively releasing any data at all.) Is McClatchy’s digital-only revenues report significantly different than Gannett’s, or A.H. Belo’s?

What we can see in this NAA assemblage of numbers is that digital advertising growth has become an increasing challenge for all newspaper companies. NAA’s compilation is a fairly comprehensive extrapolation, based on 24 newspaper media enterprises, including all the public companies and some private ones. Its aim: to “cover all regions of the country and all circulation size groups.”

It shows this troubling trend in digital ad revenue growth over the past few years:

  • 2010: 10.9 percent
  • 2011: 6.6 percent
  • 2012: 3.7 percent
  • 2013: 1.5 percent

That takes us back to the recession-wracked year of 2009, when overall advertising dropped 19 percent — and that’s what took the breath out of the industry. Digital advertising, unsurprisingly, declined 11.8 percent that year. Before that, it all felt like upside: Digital ads grew at annual rates between 18 percent and 31 percent between 2004 and 2007.

This is where we need a New Yorker cartoon: Silver-haired mid-aughts newspaper CEO standing in front of chart, presiding at an impressively long, carved from a single exotic tree and flown in from wherever, whatever-the-expense, table. Pointing to a drawn five-year spreadsheet, he’s saying, “Yes, the down arrow of print advertising is regrettable, but manageable. Look at the up arrow of digital ad growth! As you can see, we’ll hit a crossover point of digital ad growth surpassing print ad decline, and all will be well.”

It didn’t work out that way. Few of those CEOs are left. The digital ad arrow rocketed higher and at a sharper angle than nearly anyone would have believed 10 years ago. But newspapers didn’t benefit from the boom. And the newspaper print ad arrow plummeted, a fall that now looks stuck at about an annual 8 percent rate.

What was once was the great growth hope is now a popped balloon. The digital ad war looks almost over. Newspapers haven’t lost, exactly — $3.4 billion is still a lot of money — but they have been reduced to supporting player status.

Digital advertising

Put a few numbers together and we can see that newspapers take only about 8 percent of all digital ad spending, a share that’s clearly in decline. In the old pre-Internet world, newspapers took about 20 percent of overall ad spending. Those two numbers are another shorthand to understand the destruction of the industry’s core business, as advertising once supplied 80 percent of the industry’s revenues and nearly all its profits.

Take in these numbers from the IAB report:

  • Ten companies control 71 percent of all U.S. digital advertising. The next tier, those companies ranked 11th to 25th, account for another 10 percent — leaving 19 percent of the largest ad category in the country for everyone else. IAB doesn’t list the top 10, but we know no publishers have been among the top eight, led by the likes of Google, Facebook, Yahoo, and Microsoft, over the last several years. The dominance of that top 10 has moved between 69 percent and 74 percent for about a decade.
  • The highest growth digital ad areas are the ones in which newspapers are the weakest. Mobile grew 110 percent year over year, to $7.1 billion. Digital video grew 19 percent, to $2.8 billion. Performance-based ads now make up 66 percent of ad spend. Search, while maturing, still commands 43 percent of all digital advertising.
  • Digital classifieds revenues, a traditional newspaper strength, were up but 2 percent, to $664 million.

It’s important to say: A relative few leading-edge newspaper company players are growing digital ads in high-single and even low-double percentages. Those are the companies I usually dwell on in my work, in this column and at Newsonomics.com, the best practice examples that may push faster innovation for others. Those companies are using a new portfolio of good techniques, deploying advanced ad technology and optimization, selling local digital marketing services, and retooling their sale forces to widen and deepen relationships with advertisers. One brighter spot the NAA numbers can point to: Digital agency and marketing services grew 43 percent, albeit off a still-small base (“The newsonomics of selling Main Street”).

This week, though, it’s essential to face the average reality for the industry. That 1.5 percent digital ad growth rate says volumes. Most companies simply aren’t executing at a transformative level, and their continued cutting of staff and product reinforces that often dismal reality.

A few have prioritized print over digital — the Orange County Register’s Eric Spitz is the most vocal in that camp. Most, though, are trying to focus on digital — they’re just not succeeding.

The IAB data tells us something else about the 2015-18 digital ad ecosystem: Publishers may succeed best by aligning themselves with one or several of the top 10 players. Those players’ ad tech so far surpasses most publishers’ that partnerships — and using others’ tech and reach — become essential. Take the Local Media Consortium, which grew out of major newspaper publishers’ relationship with Yahoo ad tech. It now uses Google’s DoubleClick Ad Exchange, as do many other individual chains and papers. Google is a foundation for their digital businesses.

Then there’s Facebook, now building itself into an ad network, which will no doubt be used by newspaper companies. (Many of them already resell Facebook advertising.) Riding along — finding the most profitable place nesting within the biggest ad players — is much of the future of local newspaper companies’ digital ad future.

Digital and all-access circulation

Finally, let’s get back to that other growth area for newspaper companies, what I have identified as the revolution of reader revenue.

NAA reported an increase of 3.7 percent in circulation revenue. That surprised me. I’d expected it would come in around 4-5 percent. Why? By the end of 2013, more than four in 10 U.S. dailies had restricted digital access in some form, including almost all the chains other than Advance. Some charge extra for digital access; many include it as part of single-priced print-plus-digital sub. The singular compelling idea: Get more reader revenue to help offset the awful decline of print ad money.

While 3.7 percent is good, up from the flat circulation revenue we saw in 2008-10, it’s a point less than the 4.5 percent circulation revenue growth in 2012.

There are lots of moving pieces with reader revenue, but looking at individual company numbers, it looks like reader revenue growth may already be slowing — and that would be bad news for publishers still searching for a way to first get to zero revenue growth — and then, hopefully, positive revenue growth.

Let’s also remember that The New York Times’ reader revenue number is included in that 2013 over 2012 NAA industry increase of $430 million. The Times increased its overall circulation revenue by $51 million in 2013 — so that’s 11 percent of NAA’s increase right there in one paper.

(For context, The New York Times’ circulation revenue equals about 7.5 percent of all U.S. circulation revenue. For clarity, the Times’ 2013 net increase in reader revenue was $51 million, despite its reporting of what is now a $160 million run-rate in digital-only subs. The $100-million-plus difference? The Times, like all dailies, continues to lose print subscribers, and their money. Just this morning, in its 1Q earnings call, the company noted that print circulation dropped 6 percent in daily copies, 2.5 percent on Sunday. So figure this: For every two dollars lost in print reader revenue, it is gaining three in digital. That’s a tough tradeoff, but one that seems to be working. In fact, with print advertising just reported to be 4 percent up for the first quarter, the Times is doing decently in print overall.)

Why might reader revenue increases be slowing, a topic that needs to be deeply explored? Consider these possibilities:

  • Mediocre execution: Press+, the largest supplier of digital sub services, has made a major point of how much reader revenue varies among its affiliates, as much as 10×, all based on the fundamentals of pricing and marketing.
  • Too much cutting: The amount of news content, too, is a driver of digital subscription success, Press+ has noted. Clearly, some would-be customers are balking at paying increased prices (when digital access is added to print) for what they perceive to be (and which often is) less news.
  • Volume loss is holding down the ability to price: That, of course, is the dynamic balance. How many paid copies are you willing to give up to improve your per-subscriber revenue? Charge too much, and the math doesn’t work. Newspaper pricing, after an initial blush of paywall-inspired increase in 2011-13, may be hitting a wall.
  • First-year price increases — when papers started restricting digital access — may be tough to match in the second and third years.

It’s too early to know what’s yet true, among that mix-and-match set of possible scenarios. Something, though, seems afoot.

One could say the numbers are sobering. But this is an industry that was shocked into sobriety years ago. Overall, NAA put the best face it could on its numbers, noting industry revenue was only down 2.6 percent. That’s still down, though, and those digital ad and reader revenue growth rates are going in the wrong direction. It’s a performance that may raise new questions for the spate of new owners, and the would-be buyers of properties on the market or soon to come to market. As the industry sells off Cars.com, newspaper sellers may find its hard to put a fresh gloss on a used paper.

Photo by Ian Koppenbadger used under a Creative Commons license.

Facebook teams with Storyful to highlight news content published on the social network

Posted: 24 Apr 2014 07:00 AM PDT

Facebook and Storyful are partnering to create a newsfeed of newsworthy content, originally published on Facebook by its users, to encourage journalists to use the social media site as a source of user generated content.

Called FB Newswire, the new Facebook page will be available publicly and updated in real time with photos, videos, and status updates across a spectrum of topics, including breaking news, entertainment, and sports. Posts will also be shared on, ironically enough, a dedicated Twitter account. The newsfeed is part of Facebook’s effort to continue to market itself to journalists as a news-gathering tool.

FB Newswire_news1[1]Facebook is of course a major source of traffic referrals for many news organizations — half of BuzzFeed’s desktop traffic arrives from Facebook, for instance — but it wants to continue to improve its utility as a content gathering tool, said Andy Mitchell, Facebook’s director of news and global media partnerships.

“In addition to the value we’re delivering with referrals, if we can help surface content that is relevant to the journalism that they are creating, that will just further the relationship between Facebook and the news industry,” Mitchell said.

When looking for user-generated content, many journalists might first look to places like Twitter and YouTube over Facebook — not least because Facebook posts often come with some level of privacy settings. Still, there are 2.46 million pieces of content posted to Facebook per minute, and Facebook wants to emphasize the wealth of what is available on the social network. (Facebook also owns the photo-sharing service Instagram, but FB Newswire will be initially limited to just Facebook content.)

FB Newswire is just the latest move Facebook has made in recent months to promote newsworthy content as it has tweaked its News Feed and search algorithms, introduced trending topics, and added hashtag functionality. Facebook’s recent Paper app also drives home the social giant’s increased interest in the news space. Even as Twitter gets ragged on in some corners for a Facebookish redesign, Facebook is clearly trying to take some of the news mojo that Twitter’s built up. As David Leonhardt, editor of The New York Times’ new The Upshot, put it to us this week:

Journalists really like Twitter. You don't have to twist most journalists' arms, particularly the journalists who are doing this kind of work, to spend time on Twitter. It comes naturally to them…You do have to give them a little nudge to spend time on Facebook. But Facebook's really important.

Facebook decided to partner with Storyful because it specializes in locating and verifying user generated content from across the social web: “This is basically what they do,” Mitchell said. “This is their reason for being. They've developed an expertise.”

FB Newswire_viral1[1]For Storyful, which will run the page, FB Newswire serves as an opportunity to showcase its brand and products to a larger audience, said Aine Kerr, Storyful’s managing editor: “We hope this is really going to show off what we can do.” (Storyful was bought by News Corp last December for $25 million, and it counts The New York Times, the BBC, and other major news brands among its clients.)

Each post on FB Newswire will allow users or news organizations to embed posts like any other Facebook post, but it will also link back to the Facebook page where the content originated. Storyful will provide short written context for each post as well as relevant hashtags. Users will also be able to comment on the FB Newswire posts, and Kerr said Storyful is looking forward to the feedback journalists will be able to provide on the content they post.

Kerr said Storyful’s goal is to provide newsrooms with access to content and information that they might not typically have access to. “We want to start to help users and newsrooms tell stories from different parts of the world,” she said.

Photo of a woman taking picture of a protest in Egypt by Darla Hueske used under a Creative Commons License.

“Can Philanthropy Save Journalism?”

Posted: 24 Apr 2014 06:30 AM PDT

Philanthropy Magazine, the magazine of the Philanthropy Roundtable, dedicated its newest issue to a question very familiar to Lab readers, albeit usually expressed in a less absolutist form: “Can Philanthropy Save Journalism?”

The upheaval in the traditional business model for journalism has meant a rapid rise of nonprofit news outlets. That, in turn, has led to questions about how those outlets can find sustainability for the long term — or just gain 501(c)(3) status.

The magazine wanted to pull back and ask a few big questions:

Can philanthropists and businessmen with a taste for "social investing" do more than just soften the losses at news-reporting organizations whose business models have collapsed? Can they subsidize certain kinds of investigating and publishing to serve public interests? Can they help discover and extend new formats, new reporters, and new subjects that will strengthen journalism's role in maintaining the health and freedom of American society?

The issue features a contrarian take from the oft-contrarian former New York Sun editor Seth Lipsky, who argues that news organizations need a profit motive to be self-reliant. Lipsky writes:

From the Bolshevik revolution to the golden age of newspapers, the lesson of history is that self-supporting profitability provides both the entrepreneurial force and the absolute autonomy that make a powerful and independent press possible. Philanthropists who want to keep journalism vigorous might therefore want to spend less energy setting up ersatz newspapers and more time building up the profitability of our marketplaces, and protecting the right to private property — which is what the press ultimately is.

Another feature goes around the horn to take a look at the state of nonprofit newsrooms and the funders behind the scenes, including ProPublica, the Texas Tribune, First Look Media, and MinnPost. The issue also looks at how a donor-funded conference, the Faith Angle Forum, provides reporters with insight into religious issues that may cross into their coverage areas. You can find all the stories here.